Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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GREUZE, Jean-Baptiste
Portrait of George Gougenot de Croissy dfg

ID: 07112

GREUZE, Jean-Baptiste Portrait of George Gougenot de Croissy dfg
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GREUZE, Jean-Baptiste Portrait of George Gougenot de Croissy dfg


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GREUZE, Jean-Baptiste

French Rococo Era Painter, 1725-1805 French painter and draughtsman. He was named an associate member of the Academie Royale de Peinture et de Sculpture, Paris, in 1755 on the strength of a group of paintings that included genre scenes, portraits and studies of expressive heads . These remained the essential subjects of his art for the next 50 years, except for a brief, concentrated and unsuccessful experiment with history painting in the late 1760s, which was to affect his later genre painting deeply. Though his art has often been compared with that of Jean-Simeon Chardin in particular and interpreted within the context of NEO-CLASSICISM in general, it stands so strikingly apart from the currents of its time that Greuze's accomplishments are best described, as they often were by the artist's contemporaries, as unique. He was greatly admired by connoisseurs, critics and the general public throughout most of his life. His pictures were in the collections of such noted connoisseurs as Ange-Laurent de La Live de Jully, Claude-Henri Watelet and Etienne-Francois, Duc de Choiseul. For a long period he was in particular favour with the critic Denis Diderot, who wrote about him in the Salon reviews that he published in Melchior Grimm's privately circulated Correspondance litt?raire. His reputation declined towards the end of his life and through the early part of the 19th century, to be revived after 1850, when 18th-century painting returned to favour, by such critics as Theophile Thore, Ars?ne Houssaye and, most notably, Edmond and Jules de Goncourt in their book L'Art du dix-huitieme siecle. By the end of the century Greuze's work, especially his many variations on the Head of a Girl, fetched record prices, and his Broken Pitcher (Paris, Louvre) was one of the most popular paintings in the Louvre. The advent of modernism in the early decades of the 20th century totally obliterated Greuze's reputation.  Related Paintings of GREUZE, Jean-Baptiste :. | Votive Offering to Cupid ghf | The Complain of the Watch dfh | The Punished Son dgs | Self-Portrait shs | The Broken Mirror sd |
Related Artists:
POEL, Egbert van der
Dutch Baroque Era Painter, 1621-1664
ecole francaise
Founded in 1846, the EfA is the oldest foreign institute in Athens. Its early foundation, still a source of considerable prestige, is to be seen culturally connected with French philhellenism and politically with the French East Mediterranean strategy of the time.
Ralph Albert Blakelock
(October 15, 1847 - August 9, 1919) was a romanticist painter from the United States. Ralph Blakelock was born in New York City on October 15, 1847. In 1864, Blakelock entered the Free Academy of the City of New York (now known as the City College) with aspirations of becoming a physician. After his third term he opted to dismiss his formal education and left college. From 1869-71 he traveled west, extensively wandering far from known civilization and spending time among the American Indians. Largely self-taught as an artist, he began producing competent landscapes, depicting select views from his travels, as well as scenes of American Indian life. His works were exhibited in the National Academy of Design. Moonlight, 1885, the Brooklyn MuseumIn 1877 Blakelock married Cora Rebecca Bailey; they had nine children. In art, Blakelock was a genius, yet, in business dealings and in monetary transactions he proved a failure. He found it difficult, if not crushing to maintain and support his wife and children. In desperation he found himself selling his paintings for extremely low prices, far beneath their known worth. In hopes of lifting his family from abject poverty, reportedly on the day his 9th child was born, Blakelock had offered a painting to a collector for $1000. The collector made a counter offer and after refusing the proposed sum Blakelock found himself in a bitter argument with his wife. After the domestic dispute, Blakelock returned to the patron and sold the painting for a much lesser sum. Defeated and frustrated, it is said he broke down and tore the cash into pieces. And so it was after such repeated failed business transactions that he began to suffer from extreme depression and eventually show symptoms of mental frailty. In 1899 he suffered a breakdown.






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